It correctly—or as correctly as I've heard any speaker manage—reproduced the harmonic and textural structure of every instrument and voice I can think of; it expressed soundstage height, width, and depth as few speakers can; it plumbed the depths of low bass as deeply and cleanly as do all but the monster speakers that go into the subsonic region; it produced unrivaled dynamics at both ends of the scale; and was as transparent as any moving-coil speaker I've heard.